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Archive for July, 2015|Monthly archive page

In Loving Repetition by Justin E. H. Smith

In music, poetry on July 24, 2015 at 05:50

From: In Loving Repetition by Justin E. H. Smith, berfrois, http://www.berfrois.com

To the extent that music involves repetition, whether of melodies or chords or words, it is all rooted in poetry. This is ancient, but still clear in certain traditions that survive into the era of recording, such as the Russian bard style of Vysotsky (the homonymy with Shakespeare’s moniker is not coincidental). Here, as in the music of Seikilos, there is a cycle of words, whose transcendent or non-mundane force is heightened by an accompanying string instrument, but not subordinated to that instrument. In general, if one wishes to find the pre-recording roots of popular music, one does well to look, not only to the history of music strictly speaking (melody and harmony in particular), but also to traditions of oral poetry and oral lore. Alan Lomax seems to have understood this very well in his field recordings: he realized he could not go in and ask only to hear the tunes of Appalachia or the Mississippi Delta, but had to listen to the folk tales as well.

We know that a number of the world’s most glorious works of epic poetry, including Homeric epic, began as traditions of oral recitation, presumably involving some degree of rhythmic articulation, and perhaps also inflections of the voice’s pitch and timber. In this respect, literature and music are really only different trajectories of the same deeper aesthetic activity: a repetition that reconfirms, or reestablishes, or perhaps recreates, the order of the world. To be invested in this repetition aesthetically is to experience it with love, which again, following Murray, is nothing other than religion itself.

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Reposted with permission from: berfrois

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The urban paradox by Tom Cowan

In politics, society, sociology on July 24, 2015 at 05:42

From:  The urban paradox by Tom Cowan, openDemocracy, https://www.opendemocracy.net

In the current conjuncture, cities are sites of two counterposed tendencies. First, the city is upheld as the physical metonym of modernity, the unsurpassable form of human progress, wherein any manner of economic, social and environmental ills may be treated—where non-people become people, where technology and smartness come to govern political and social contestations, where human resilience and innovation (no matter how destitute such humans may be) can mitigate the oppressive character of capital-led urban growth. Against and yet within this, largely neo-liberal, imagination exists the global trend of urban retraction, of bordering, segregation, fragmentation, state withdrawal, enclave-ing. The traditional model of urban entrepreneurialism which David Harvey discussed in the 1980s is today optimised from particular, mostly elite fragments of accumulation, (the mega-event, the gated community, the mall, etc.) marginalising entire populations, entire ways of thinking and being deemed obsolete. These are two contradictory arms of neoliberal urbanism.

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Reposted with permission from: openDemocracy

AUDIO: Cornel West on Emerson’s Enduring Importance

In audio, literature, North America, philosophy on July 24, 2015 at 05:36

From: Cornel West on Emerson’s Enduring Importance by Radio Open Source, http://www.radioopensource.org

Emerson is called the founder of the American religion, sometimes the American God, and surely he’s the voice of American individualism in “Self Reliance.” A man should learn to detect and watch that gleam of light which flashes across his mind from within,” Emerson wrote, “Trust thyself: Every heart vibrates to that iron string.”

Cornel West, like Emerson, is a preacher with a national audience, and without a church. Emerson is his number one American writer, a soulful modern and a model public philosopher.

This podcast is a short excerpt from Emerson Redux, a full hour show on Ralph Waldo Emerson created in 2006.

Listen to the podcast

Reposted according to copyright notice from: Radio Open Source

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