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The Ideology of Color by Fernando Castro

In aesthetics, art, culture, ethnicity, Europe, history of art, politics, religion, sociology, South America, visual arts on October 15, 2012 at 19:07

From: The Ideology of Color by Fernando Castro, Literal Magazine, http://www.literalmagazine.com

Many of the works of The Ideology of Color arose from Texas ́ history class when one of my Mexican students of Native-American descendance asked me when white people first arrived. Any artist who ever painted people knows that white is perhaps the only color not to be used for human skin –unless you are painting dead people. Even the ghostly skin of Giovanna Cenami in Van Eyck’s The Arnolfini Marriage (1414), is conspicuously different from the truly white headpiece she is wear- ing. After this two-second thought I blurted out, “There are no white people.”

Noticing the skeptical expression on my student’s face I took out a piece of white paper and added, “There is nobody this color.” In order to show my young students how white people would look like if they existed, I decided to make photographs of truly white people. I went through my negatives to see which ones I could use for what would become the White People series. Back in 1988 I had taken pictures of people and their dogs in a canine competition in Peru. These images were fitting because some of the ideas behind the motivation of many people to call themselves “white” are connected to the project of selectively breeding dogs to obtain Dobermans, French Poodles, etc. I painted the skin in the black-and- white negatives with an opaque medium so that they printed totally white.

Read the essay

Reposted with permission from: Literal Magazine

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